PICK -The 39 Steps

After a long run in London and a limited run at the Roundabout Theatre, this stage farce based on Hitchcock's film of The 39 Steps has transferred to a commercial Broadway run at the Cort Theatre. The film was a classic spy thriller melodrama; this version is a satire and irreverent imitation and send-up not only of the film, but also of the entire Hitchcock body of films. In brief, this is the story of an innocent man who learns too much about a dangerous spy ring and takes off on the run, suspected of murdering the young woman found dead in his flat. Handcuffed to the woman who believed he was the murderer and turned him in, he is pursued across Scotland, before returning to London to foil the villain’s dastardly plans. On stage, four actors play all the roles, using some pretty clever stage tricks and mime to convey all the characters and famous scenes from the movie, such as the chase on a railroad train, the escape on the Forth Bridge, and the grand finale in the London Palladium.
Caveat 1: You may enjoy this more if you have seen the classic 1935 film, although that is not strictly necessary. I suggest that you rent the film and view it again if you have not seen it in the past 20 years. (Film: The 39 Steps)
Caveat 2: If you don't like Monty Python-style humor and never liked the zany satires of movies and plays done by Carol Burnett or Sid Caesar/Imogene Coca, you probably will think that the gag goes on too long.
Sue Goldman reported "39 Steps is really extraordinarily well done," and I agree.
There are discount tickets available at TKTS and to TDF members. Also check such services as www.broadwaybox.com and www.theatermania.com for discount codes.
-- ELLEN

MIXED- In The Heights

Photo: Cast of In The Heights

We saw In The Heights off Broadway and rated it a PICK when it ran at 37Arts until July 15 of 2007. It is now at the Richard Rodgers Theatre on W. 46.
Regarding the off-Broadway production, Stagestrucknyc said:
"This musical by Lin-Manuel Miranda is drawing an enthusiastic young audience, and its fans return with their friends to see it repeatedly. No wonder, because the show has novel and exciting music, high energy dancing, and some really engaging performers. Nearly everyone has expressed exasperation with the corny story line, which is simplistic but sincere, but the music, dance and high spirit of the whole production make up for it."
Tickets available via http://www.intheheightsthemusical.com/

Definitions of Broadway, Off-Broadway and Off-Off-Broadway?

A Broadway theatre is a house of 500 seats or more, used primarily for theatre, and in the district bounded by Sixth Avenue to Eighth Avenue, 41st to 54th Streets. The Vivian Beaumont is outside this district but also qualifies as Broadway. (Madison Square Garden, Radio City Music Hall and City Center all have larger houses than Broadway but theatrical shows in those houses aren't considered Broadway.)
Off Broadway: A theatre of 99 to 499 seats is a reasonable guide for Off-Broadway but the strict definition is about whether the shows are mounted by companies working under an Equity contract or not. (But note: There are some Equity companies working in under-99 seat houses, some of which call themselves Off-Broadway and some of which don't.)
The 99 seat cutoff derives from Equity's showcase code which specifies the conditions under which Equity actors may work for a production not governed by a contract. It limits the length of run (20 or 24 performances), the price which can be charged, and the size of theatre which can be used (a maximum of 99 seats although the Fringe Festival has an exemption).
The theatre festivals and most of the Off-Off-Broadway companies of any note in New York are operating under “showcase code”, and there are hundreds of them. Sooner or later a company gets too big for showcase and must move to a transitional Equity contract. Even if they don't move theatres they are entitled to call themselves Off-Broadway at that point ,and they usually seize the chance because their expenses go up and hence their prices must go up as well.
Source: http://www.talkinbroadway.com